Saturday 26 May 2012

Angel. My 1st kick-about short story 1986



  ©™                                                     Angel 

                   (Probably the 1st fictional short story I wrote!)


My stage name was Angel on account of my soft fall of hair, my plump-cheeked baby face and satin-like pink and white skin.
The audience appeared to like the sight of an innocent-looking eighteen year old shimmying up and down the pole like a veteran of perversity whilst almost invisibly unhooking the hook and eyes, straps and bows of my clothes. I had been invited to work in an underground club in Belgium. A voyeurs paradise secreted and hidden behind the choclate-box- pretty lattice windows of the building's exterior. To work from 6pm to 6am whilst the club's TVs poured out lurid porn was hard, hard graft. However, the £1,000 per week salary more than compensated.

The owner, Rene, had made the effort to fox our scrambled body clocks by blacking out all of the bedroom windows. Hence we lived in a subterranean world of endless night. When we were not stripping we were networking and flirting to coax men to buy us expensive ginger ale marketed as champagne. In addition to this we were unsubtly coerced into earning additional cash on our backs. Rene had already taken me to one side for a pep talk.

'Men may love to look at a cute girl, Angel',  he said, 'but they'll cough big time to actually touch flesh'. He paused. 'Blowjobs', he confided, 'since Zoe was here all of the men have asked for nothing else.' 
I leaned into his shoulders and whined. 'No, Rene, I can't do that'. Nor could I. As we spoke I could actually imagine the taste of  a stranger's flesh in my mouth, feel the clotty fluid as it slid down my gullet and visualise stuffing a bundle of notes in my purse. I rapidly thought of a diversion tactic. 'What about Tara?' I asked, 'she's money-crazy and saving for a boob job, she'll do it'.

Rene dismissed her with a flat: ' too old'. I smirked ever so slightly and fair cuddled myself with joy and asked him: 'so what do people say about me?''Angel', he murmered, 'men want to love you and if you let them, then you could  be a very rich girl'. Suddenly very sober he jerked a thumb at Tara who was working the stage with the slow, studied sleaze of a veteran. 'You rip shreds off that slag' he concluded. Then as he drew my dainty shouders in closer to his I swivelled to watch Tara.

She wore the remains of a nun's habit. Her lascivious face was well-painted.Wisps of white blonde hair peeped from beneath her wimple as her small, thin body angled on the chair. Slowly but purposefully she parted her stockinged thighs to display a silken, heart-shaped mound of glorious apricot pubic fluff.

I swallowed back my giggle and stuffed hid my contempt in my small sequinned handbag and reasoned to myself that this was how the sex industry worked. The teaming of a hard-core and a soft-core girl was a well-established umbrella trick used as a method of pleasing everyone. Moreover, degeneration into hard core was a potential fate awaiting most girls. There was no innoculation against time's ravages. No-on was immune. Except me, I reasoned.

I believed that I was indeed the exception .My obscenely bulging pay packet, the insane amounts of incoming calls asking, no begging, me to do a repeat show all convinced my agent, George, that he had stumbled upon a genuine darling of the fleshpots. Me, the eternal honeypot. All the likes of Tara et al could do was watch impotently, incandescent with rage and jealousy.

Tara swept into our room later, immediately searched out a cigarette and sat down, a smile curving her lips upwards.
'Angel!', she giggled, 'Rene has asked me out to dinner with him..Angie's gone to Paris with a punter so he's free..what do you think? I reckon away from this place, he'll be a riot!'
'Yeah, but not with you' I iced flatly. 'Rene likes young girls, Rene likes me'.
'Oh nasty, Angel', she hissed, 'yet butter wouldn't melt in your mouth would it?'.
'So they say', I replied and my laugh seemed suspended like an irresistable pink bubble above my head.
'You aren't always going to look this way, you know' Tara added, trying to pop the bubble with  her words.'Also, when you don't, what then? What when George stops overbooking you, what when instead of begging for a night off you have to call them for  a night's work? You never met Ella did you, you know George's wife?'

I rolled my eyes. Famous, glorious Ella. Who hadn't heard of that dirtiest of blondes ingenue? She even aced me totally in the outrage stakes by dint of having began her illicit stripping career at the age of fifteen.
 I knew she had left George. He had told me so.Yet still the agency was a shrine to her. From the walls she smouldered out at us, her violet eyes so huge, so lambent, so jewel like, and beneath her strategically arranged furs her glorious body remained. Ella. The goddess against we measured ourselves.

'Yeah', I said idly,  'what about her?'

Tara studied me oddly for several minutes. Strange. I had always thought she adored me yet  the looks she was giving me were far from friendly and a million miles away from adoration
 'Oh, surely you have heard', she said, 'after that night at The Flamingo when she spent all night jerking men off into a pint glass and drinking 1/3rd of a pint of the mixed up shit before slashing her arms to smithereens with the shards of the broken glass'.  She paused to let me take it all in and then continued: 'George had her committed of course, but by then she had made the money to set up that fucking agency. Yes, Angel, Ella's money set that pimp up for life. Remember that when he has you jogging on his lap playing Santa Claus'.

I sucked my breath deeply and lastingly into my lungs. Her words may well have sidled into my very airways and bloodstream, yet I was adroit at clearing the airways out and spitting out what I didn't want to retain. Jealous, I mused. She is sick with jealousy and worse, too proud to admit  that I was better than her. It was said I was better even than the legendary Ella. Yes. She had hoped to sidle into me, to locate and press my destruct button. If that much was achieved I would give in, would go home.

She was wrong. I wasn't an Ella handing cash over to a man like George. I had a savings account and only spent on clothing, costumes and clothes. The requisite glitz and glam of my trade, well, I could hardly neglect them.

I checked my radiant appearance in the mirror and waltzed out to the stage with the part playful part theatric flamboyance that had fast become my signature. I had always wanted people to tell tales about me to the other visiting girls. I wanted a whole Urban Myth created about me .I really wanted to be crowned notorious queen of the whole bump and grind scene.

My hair whipped across my face as I slithered forward during my floor show. My pink bra with it's cheeky black bows was scarcely hlding my cleavage in check. My pants rode up between my legs, their satin material teasing me until a damp, sticky patch formed. My stockings were only just rakishly held up and everywhere I looked I could see hands straining to touch me and hear voices howling my name. As the cat calls drowned out the music, as my name was chanted like an evil mantra, as my oiled and thrilling body was ready for mass seduction the throb between my legs simply burst open like over-ripe fruit. Pressing my own self destruct button, I reckoned had they drowned me in spunk that night, I would hardly have cared less. 

©™


Thursday 4 August 2011

Music: Children Of The Revolution: Women in the music industry

Music: Children Of The Revolution: Women in the music industry: "Some of the children of the real revolution are now sadly dead, although in this callow, hollow, plastic age their voices have never sounded..."

Tuesday 12 July 2011

Music: Children Of The Revolution: Women in the music industry

Music: Children Of The Revolution: Women in the music industry: "Some of the children of the real revolution are now sadly dead, although in this callow, hollow, plastic age their voices have never sounded..."

Women in the music industry

Some of the children of the real revolution are now sadly dead, although in this callow, hollow, plastic age their voices have never sounded more plangent, their lyrics more craved and ached for and, dare I say, vital than ever before.


 I have just turned off Rihanna's last-but-one track 'S&M' featuring Ester Dean's man-pleasing lyrics 'Cause I may be bad, but I'm perfectly good at it /Sex in the air, I don't care, I love the smell of it /Sticks and stones may break my bones /But chains and whips excite me'


I have turned it off NOT because I am Ms-Disgusted-Of-Chipping-Norton but because I am so very ashamed to be a woman right now. Someone has made a suggestion that Rihanna is helping women take command of the bedroom and, in turn, turning them on to better and hotter sex. I somehow doubt that this is the case. The Jeremy Kyle loving female audience who buy into this masochistic clap-trap are probably still making do with their customory thirty seconds baby-making shag.


One dead child of the revolution is the fabulously quirky ultra talent that was Poly Styrene [3rd July 1951-25th April 2011]. of seminal punk band X-Ray Spex. This flaming hot female who dared to be a size 12, who dared to wear a brace on her teeth, who dared to write lyrics that sent bullets to the listener's heart and once there, the bullets stayed lodged. Hard, nowadays, to comprehend that in their 1977 lyrics there is not a trace of tease in her voice when she remarked that some people seemed to think that girls should be seen but not heard. Not a smidgeon of passivivity when she told such people where they could stick their out-moded sexism. I would argue that Poly did more to aid female sexuality than Rihanna could dream of achieving. Engaging in none of the self-loathing plastic surgery so beloved of 21st slave-women, her self-image made it all OK to be mixed-race [no Beyonce Knowles style hair straightening & blue eye contacts for Poly], made it OK to wear clothes that were to your liking, [as opposed to being dressed in a bargain-basement Victoria Beckham style dress as endorsed by Heat magazine], made it OK to say what is really on your mind. This confidence, this commiunication, this sense of self-liking is key to bedroom frolics, jollies and, more importantly, respect, so don't let anyone attempt to convince you otherwise.


All the more terrifying then, when we fast-forward to what a female from a poor background now selects to do when Lady Luck smiles upon her and she finds herself in front of a microphone. Taking the path of least resistance, diet and diet and diet, smile and smile and smile whilst blowing out any hot-air bubble-gum flavoured lyrics given to you seems to be the best-trod path. Whilst Cheryl Cole was in Girls Aloud, she opted for this unsavoury option. Rather than using her platform as a method of informing and empowering other women, she elected to gurgle subservient lyrics in the GA track 'Biology' 'I've got one Alabama return/That'll take me far away from you/Cause when you take me in your arms I turn to slave but I can't be saved/So I got my cappuccino to go and I'm heading for the hills again'. This is pure nonsense. In short, any old tat as long as it sort of rhymes and so what if it means less than zero. Why did people subscribe to this? Why weren't they asking, no, demanding so very much more from their female artists?


Also it's worth noting that ensconced on this weary old hoss, Cole continued trotting along the same path in her first solo single 'Fight For This Love'.


A beautiful women in the music industry is hardly a new phenomena. Witness the luminous bruised-Monroe looks of Debbie Harry of New York New Wave band Blondie. Why did and do women like this stunning blonde woman as opposed to being jealous and/or threatened by her? Easy anwer. They realise that it's not looks alone that she is bringing to the table. Let us never forget that supurb voice. A  voice capable of growling out insults 'She's so dumb/hah! Rip her to shreads' or soaring to heights so pure that the air starts to thin out around you when you listen to it 'Maria,You've gotta see her/Go insane and out of your mind /Latina/ Ave Maria/A million and one candlelights' Let's not forget that Harry can out-perform most front-men and when she skirts on the subjects of love or sex, she does so with a delicate powder-light touch so at loggerheads with the ex-Playboy Bunny's usual toughie- deliverence that it generally makes listener's lips curve up in a smile. In short, Debbie Harry got irony.


In the final deduction when it comes to Cheryl and Rihanna I feel the lyrics to 'Oh Bondage Up Yours' are very much in order. I await for them to learn the long-overdue, subtle art of showmanship and look forward to them putting aside the faux-horniness and/or faux-victim mentality that will eventually undermine both of their respective careers. 


Look at footage of spectacular Debbie Harry and the late but great Poly Styrene and doff your caps at women who really knew how to empower women.
©™


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